CLC show features cups from 55 ceramic artists - Libertyville Review
A nice article on the The Cup Show - continuing through April 17, 2012.
Showing posts with label The Cup: 55 Artists - 250 Interpretations. Show all posts
Showing posts with label The Cup: 55 Artists - 250 Interpretations. Show all posts
Monday, March 26, 2012
Tuesday, March 13, 2012
The Cup: Matt Wilt - Edwardsville, IL
 |
| Matt Wilt Mug Cone 10, salt fired, dark stoneware (4 x 4.5 inches) CUP 208 $40 SOLD |
Statement:
In making
functional pottery, I try to treat each piece as a condensed sculpture. The
formal combinations of line, mass, balance, skin, volume, and proportion allow
for an infinite number of conclusions. When working with these variables, my
goal is to find an arrangement that has a strong visual presence and emotive
impact on the user. Ultimately, whether a pot is being held in someone’s hands
or is sitting on a shelf, I would like its presence to be felt.
 |
| Matt Wilt Mug Cone 10, salt fired, dark stoneware (4 x 4.25 inches) CUP 209 $40 |
Each of these cups was fired to cone 10 (2,380 degree Fahrenheit), in a salt kiln. Sodium, in the form of rock salt, is introduced into the kiln at approximately 2,300 degrees and continues for an hour while peak temperature is reached. The sodium vaporizes and creates a glaze on the surface of the dark stoneware clay, and also affects the color of the applied glazes. The salt firing process allows for a measure of unpredictability that is both rewarding and challenging.
 |
| Matt Wilt Mug Cone 10, salt fired, dark stoneware (4.5 x 4.5 inches) CUP 210 $40 |
Bio:
Matt Wilt is currently Associate Professor of Art at Southern Illinois University Edwardsville. He received his Bachelor's degree in Ceramics and Art Education at Pennsylvania State University and his Master of Fine Arts degree at Ohio University, Athens. Wilt worked for two years at Boston Valley Terra Cotta, an architectural terra cotta restoration firm in Buffalo, New York, where he began to work more extensively with plaster molds and imitative glaze surfaces. He also traveled extensively in Nepal and Thailand prior to pursuing graduate study.
 |
| Matt Wilt Mug Cone 10, salt fired, dark stoneware (3.75 x 4 inches) CUP 211 $40 |
Wilt has been the recipient
of numerous awards: He has received two Pennsylvania Council on the Arts
grants, an Illinois Arts Council Fellowship, as well as the Evelyn Shapiro
Foundation Fellowship through The Clay Studio in Philadelphia. He has been
active as a Visiting Artist at schools such as Syracuse University, Tyler
School of Art, Indiana University and Herron School of Art.
The Cup: Tara Wilson - Montana City, MT
 |
| Tara Wilson Cup wood-fired stoneware (3.5 x 3 inches) CUP 203 $30 |
Statement:
Quiet
pots initially speak softly yet reveal complexity in both form and surface
through continued investigation and use.
Embodied in my wood fired vessels is the serenity that I experience by
surrounding myself on a daily bases with a rich natural environment.
 |
| Tara Wilson Cup wood-fired stoneware (3.5 x 3 inches) CUP 204 $30 |
The
rich surfaces of the vessels represent the natural world. Nature also inspires form, in some cases
quite literally, as river rocks become saucers.
Other pieces speak of this passion more subtly. Bases reference the landscape, evoking a
sense of space and awareness of the land.
Parallels can be drawn between geological processes and the atmospheric
firing process. Pots physically capture
and record their firing process similar to the way sedimentary and metamorphic
rocks speak of their history.
 |
| Tara Wilson Mug wood-fired stoneware (5 x 4.25 inches) CUP 205 $35 SOLD |
Pottery’s
inherent relationship to the figure is accentuated in my gestural forms. The dialog between the forms changes as the
pieces are used. The simple things in life
are often the most important. My pots
speak of my passions, while at the same time allowing the user to recognize the
important things in their own lives.
 |
| Tara Wilson Tumbler wood-fired stoneware (6.75 x 3.25 inches) CUP 206 $40 |
Bio:
Tara
Wilson is a studio potter living in Montana City, Montana. Wilson received a BFA from the University of
Tennessee, Knoxville and an MFA degree from the University of Florida. She has been a resident artist at The Archie
Bray Foundation and The Red Lodge Clay Center.
Wilson was selected as an emerging artist for the 2006 NCECA conference
and was a presenter at the 2006 International Woodfire Conference in
Flagstaff. She has given lectures and
workshops throughout the United States; and her work has been exhibited
internationally.
 |
| Tara Wilson Cup wood-fired stoneware (5.25 x 6.5 inches) CUP 207 $140 |
The Cup: Kurt Weiser - Tempe, AZ
 |
| Kurt Weiser Blue and White Cup wheel thrown porcelain (3.5 x 4 inches) CUP 201 $300 |
 |
| Kurt Weiser Blue and White Cup wheel thrown porcelain (3.75 x 4 inches) CUP 202 $300 |
Bio:
Kurt Weiser was born in 1950 in
Lansing Michigan. He studied ceramics under Ken Fergusen at the Kansas City Art
Institute from 1972-76 and then completed an MFA at the University of Michigan.
In 1988, after a stint as Director
of the Archie Bray Foundation in Helena, MT, Weiser started teaching ceramics
at Arizona State University, where he has held the position of Regents'
Professor of Art since August 2000.
Weiser began his career making
sculptural porcelain vessels, but soon turned his attention to painting on
porcelain. Weiser's allegorical scenes, painted in a natural realism style on
his distinctive vessel forms have since then become easily recognizable works
of a porcelain painting master.
His work has been acquired by many
institutions around the world, including the Victoria and Albert Museum in
London, the Smithsonian Institution's National Museum of American Art, the
National Museum of History in Taiwan, the Museum of Contemporary Ceramic Art
and Institute of Ceramics, Shigaraki, Japan, the Los Angeles County Art Museum,
the Carnegie Mellon University and others.
Kurt Weiser is represented by Garth
Clark Gallery, NY.
The Cup: Mikey Walsh - Baton Rouge, LA
 |
| Mikey Walsh Animal Cup porcelain, Cone 6 (4 x 4.25 inches) CUP 197 $75 SOLD |
 |
| Mikey Walsh Animal Cup porcelain, Cone 6 (4.5 x 4.5 inches) CUP 198 $75 SOLD |
 |
| Mikey Walsh Animal Cup porcelain, Cone 6 (4.25 x 4.25 inches) CUP 199 $75 SOLD |
 |
| Mikey Walsh Animal Cup porcelain, Cone 6 (4.5 x 4.5 inches) CUP 200 $75 SOLD |
Bio:
Mikey Walsh received her BFA from the University of Illinois at Urbana Champaign and her MFA from NYSCC at Alfred in 1995. Since then, she has held teaching positions at Massachusetts College of Art, the University of Georgia, the University of Washington, Virginia Commonwealth University and the University of California-Davis in addition to instructing at numerous alternative-learning venues such as Haystack School of Crafts, Anderson Ranch Arts Center, Arrowmont and Santa Fe Clay. Currently, Mikey is an Associate Professor of Art at Louisiana State University in Baton Rouge. Her sculptural ceramic work is exhibited internationally and is also featured in the publication The Figure in Clay by Lark Books.
The Cup: Tom Turner - Mars Hill, NC
Statement: A
cup is a cup, is a cup.
 |
| Tom Turner Cup tan and brown crystal glaze with Temmoku inside (5.125 x 3 inches) CUP 192 $80 |
Bio:
Tom received his undergraduate
degree in Art from Illinois State University in 1968. He taught crafts while in
the Army and then was asked to establish a ceramic art program for the College
of Architecture at Clemson University. He did so in 1971 and taught there until
1976 when he resigned to work full time in his studio. He received his M.F.A at
Clemson in 1973, moved to Florida in 1979, moved in 1982 to Medina, Ohio, moved
to Delaware, Ohio in 1986 and moved to Mars Hill, North Carolina in 2005.
He has worked with high fired
porcelain for over 35 years.
 |
| Tom Turner Cup paddled and stamped, scrap crystal glaze (all tests dumped together) with Temmoku inside (4.5 x 3.25 inches) CUP 193 $80 |
He has taught at the leading craft
schools in the country such as Penland, Arrowmont, The Archie Bray Foundation
and has conducted workshops in Illinois, Indiana, Missouri, Ohio, Georgia,
Pennsylvania, North and South Carolina, Florida, Virginia, Tennessee,
Louisiana, Washington D.C., Oregon, California, Colorado, Texas, New Jersey and
Michigan (over 125 in all). He has been visiting artist at Illinois State
University and The Ohio State University.
 |
| Tom Turner Cup paddled, stamped, green Lunar crystal glaze with Temmoku inside (4 x 3.5 inches) CUP 194 $80 |
Major shows include Young Americans
1969, which toured the U.S.; the Marietta Crafts National 1974,1977,1981; The
33rd Scripps College Invitational; Functional Ceramics at Wooster,
Ohio 1978,1981,1983; 35 Artists of The Southeast, which toured for two
years; New Directions: Fiber and Clay, touring for three years; 20 American
Potters, which toured the world and became collections of American Embassies;
The Emergence of a New Tradition: American Porcelain, at The Hand and Spirit
Gallery; and American Porcelain: New Expressions in an Ancient Art, shown at
the Renwick Gallery of the National Museum of American Art, Smithsonian
Institution, and then toured the United States and the world. The Covered Jar
in the exhibition is part of the National Collection of Fine Arts. He has also
exhibited in over 150 invitationals and over 50 juried shows.
 |
| Tom Turner Cup paddled, stamped, green Lunar crystal glaze with Temmoku inside (5 x 2.75 inches) CUP 195 $80 |
His work has appeared in Craft
Horizons, American Craft, Ceramics Monthly, Studio Potter, The Washingtonian,
House Beautiful, Southern Living, Ceramica – Madrid, Spain, Ceramic Review – London,
England and numerous books.
 |
| Tom Turner Cup blue and tan crystal glaze with Temmoku inside (4.5 x 3 inches) CUP 196 $80 |
Website:
http://www.tomturnerporcelain.com/
The Cup: Shoko Teruyama - Marshall, NC
 |
| Shoko Teruyama Cup coil built, sgraffito decorated, earthenware (3.25 x 3 inches) CUP 187 $80 SOLD |
Statement:
Growing up in
Japan, I remember tradition being part of daily life. Temples and shrines were everywhere, even
inside our home. I was drawn to these
sacred spaces and ceremonial objects because they were decorated with texture
and pattern contrasted by areas of calm and stillness.
These memories
inspire my current work. I make boxes,
intimate bowls, and small plates for precious objects, vases for flower
arranging and a variety of serving pieces.
Many of the forms allude to function and would serve food well, but are
more comfortable being placed in sacred spaces of the home like the center of a
formal dining room table, a hope chest, or a bedside stand.
 |
| Shoko Teruyama Cup coil built, sgraffito decorated, earthenware (3 x 3 inches) CUP 188 $80 |
The making begins
with bisque molds, slab construction, and coil building to make thick, heavy
forms. I carve, shave, and sand excess
clay away to slowly reveal the final shape.
Puff handles and other elements are added for physical decoration. White slip is brushed over the red
earthenware to create depth and motion.
Then I carve back through the slip exposing the red clay. Shiny translucent glazes are applied over the
decorated areas and opaque matte glazes over the calm areas.
Ornamentation is
important to my ideas. I have created
motifs called vine patterns to lead your eye around the work. Patterns run continuously to create narrow
borders or to fill large amounts of space.
They can flow into tight curves just as easily as they can bend around the
belly of a form. The patterns create
visual movement representing water, wind, and clouds.
 |
| Shoko Teruyama Cup coil built, sgraffito decorated, earthenware (3 x 2.25 inches) CUP 189 $80 SOLD |
I create characters
based on human relations and things I have experienced. To me it is much easier to draw owls than
humans. I don't want to tell specific
stories to people, I want people to create their own. Sometimes you feel like the weight of a
turtle standing on top of you and sometimes you feel like an owl standing on
top of the world. Some of my characters
have a dark nature. I think that is
life. Sometimes dark things happen. Overall, I want my work to have a sense of
hope and a sense of humor because life goes on.
 |
| Shoko Teruyama Cup coil built, sgraffito decorated, earthenware (3 x 3.25 inches) CUP 190 $80 |
Bio:
Shoko Teruyama grew
up in Mishima, Japan. She earned a BA in education and taught elementary school
two years before coming to the United States to study art at the University of
Nebraska-Lincoln in 1997. Shoko received
her MFA in ceramics in the fall of 2005 from Wichita State University. She finished a three-year residency at the
Penland School of Crafts in 2008 and is now a studio artist in Marshall, NC.
 |
| Shoko Teruyama Cup coil built, sgraffito decorated, earthenware (2.75 x 3.25 inches) CUP 191 $80 SOLD |
The Cup: Gertrude Graham Smith - Bakersville, NC
 |
| Gertrude Graham Smith Tall Mug amber, soda fired, porcelain (6.75 x 4.25 inches) CUP 182 $45 |
Statement:
Moving softly and responsively,
the feel of porcelain clay thrown on a potters’ wheel is celebrated in the
vessels I make. My pots are animated by
thoughtful and spontaneous manipulation of their forms, surfaces, and
attachments. Handles sweep up and out
from bellies and shoulders. Jars raised
on feet dance in space. Scale and
surfaces appeal to the human hand. In the kiln, flames filled with sodium
decorate anticipated edges.
 |
| Gertrude Graham Smith Tall Mug white and amber, soda fired, porcelain (7 x 4.75 inches) CUP 183 $45 |
I’m looking for my vessels to bring joy with their use and presence, to be good companions for daily living. They truly come alive when they find a home with you. I’m thinking that when a hand embraces a cup, there’s a distinct possibility that a heart may fill with compassion.
 |
| Gertrude Graham Smith Impress Tankard soda fired porcelain (5.25 x 5 inches) CUP 184 $30 SOLD |
Bio:
Gay Smith, aka Gertrude Graham
Smith, is studio potter and a teaching artist. Her lively porcelain pots are
single fired in a soda kiln near Penland, NC.
 |
| Gertrude Graham Smith Impress Tankard soda fired porcelain (5.25 x 5 inches) CUP 185 $30 |
Teaching credits include
workshops at Haystack Mountain School of Crafts, Penland School, the Harvard
Ceramics Studio, and the Findhorn Foundation in Northern Scotland.
 |
| Gertrude Graham Smith Impress Mug soda fired porcelain (3.25 x 5.25 inches) CUP 182 $28 SOLD |
The Cup: Linda Sikora - Alfred Station, MY
 |
| Linda Sikora Cup porcelain, polychrome glaze, wood/oil/salt fired (3.75 x 5.25 inches) CUP 177 $45 |
 |
| Linda Sikora Cup porcelain, polychrome glaze, wood/oil/salt fired (3.75 x 5.25 inches) CUP 178 $45 |
Statement:
Jars
and teapots have been central to my practice for a number of years now. The teapot, more demanding of specific
engineering particular to its function, and the jar, a generous canvas, its
criteria of containment more permissive.
These pieces fuel or act as counterpoint to other forms, or subjects
under consideration. I am interested in pottery form for its familiarity and
congeniality, its ability to disappear into private/personal activities and
places. But this is only one aspect of
the work that, through its intelligence of color, form and stance can also
excite/awaken attention and thereby reflects back to the viewer their own
imagination. Invisible or visible, or
oscillating back and forth between these states, the pots foster both attention
and inattention.
 |
| Linda Sikora Cup porcelain, polychrome glaze, wood/oil/salt fired (4 x 5.5 inches) CUP 179 $45 |
 |
| Linda Sikora Cup porcelain, polychrome glaze, wood/oil/salt fired (4 x 5.25 inches) CUP 180 $45 |
 |
| Linda Sikora Cup porcelain, polychrome glaze, wood/oil/salt fired (4 x 5.25 inches) CUP 181 $45 |
Bio:
Linda
Sikora is a studio potter and professor of Ceramic Art at Alfred University.
Academic study in visual art and an apprenticeship in ceramics began in British
Columbia, Canada. Formal education continued at Nova Scotia College of Art and
Design University (BFA) and, University of Minnesota–Minneapolis (MFA).
Authored articles are printed in Studio Potter, Ceramic Review and, online at
Interpreting Ceramics. Professional activities are national and international:
residencies include Archie Bray Foundation; Chunkang
College of Cultural Industry, Korea; Tainan National College of The Arts,
Taiwan; Clay Edge, Australia.
National exhibition venues have included Ferrin Gallery, MA; LaCoste
Gallery, MA; The Clay Studio, PA; AKAR Gallery, IO. Public collections include:
Art Gallery of Nova Scotia; Racine Art Museum; Schein-Joseph International
Museum of Ceramic Art; LA County Museum of Art; Minneapolis Institute of the
Arts; Everson Museum.
The Cup: Melanie Sherman - Kansas City, MO
 |
| Melanie Sherman Teacup I wood-fired stoneware (3.75 x 4 inches) CUP 173 $45 |
 |
| Melanie Sherman Teacup II wood-fired stoneware (3.75 x 3.25 inches) CUP 174 $45 SOLD |
 |
| Melanie Sherman Teacup III wood-fired stoneware (3.75 x 4 inches) CUP 175 $45 SOLD |
 |
| Melanie Sherman Teacup IV wood-fired stoneware (3.75 x 3.5 inches) CUP 176 $45 SOLD |
Statement and Bio:
Melanie
lives with her two children and her husband in a quiet Chicago suburb. She started taking ceramics classes at CLC in
2008 and currently pursues her BFA in Ceramics at the Kansas City Art
Institute.
Melanie
has been showing her art in local exhibitions and won numerous awards for her
work, including the Mendelson Memorial Award, the Lake County Art League
Scholarship Merit Award and the Phoebe Boyd Memorial Fund Scholarship Award.
The Cup: Jane Shellenbarger - Rochester, NY
 |
| Jane Shellenbarger Rabbit-Cup stoneware, soda fired, post fired (4.75 x 5.5 inches) CUP 168 $75 SOLD |
Statement:
My work
focuses on a pottery idiom, incorporating historical references and social
issues with domestic objects. I work in both porcelain and black clays, firing
with atmospheric kilns. Often the pieces
undergo multiple post firings to achieve a depth of surface.
While
function continues to be an essential concern, I am most intrigued with the
ability of pots to transcend themselves as objects and convey information. The
ability for the work to draw relationships to history and social issues through
imagery, content, and form hold my fascination.
 |
| Jane Shellenbarger Victrola/Goat-Cup stoneware, soda fired, post fired (4 x 5.75 inches) CUP 169 $75 SOLD |
The
work that currently holds my interest combines the way interact with our
environment and the impact it has on animal and plant species, with traditional
vessels and their histories. At its best the work becomes both artifact and an
object of the contemporary world. The
use of glaze as a painterly ground provides an impetus to interact with imagery
that resounds with a reaction to the world in which we all share.
 |
| Jane Shellenbarger Factory/Goat-Cup stoneware, soda fired, post fired (4.75 x 5.25 inches) CUP 170 $75 SOLD |
Bio:
Jane
Shellenbarger has a long history in ceramics as a both a studio potter and
educator. Jane received her B.F.A.
degree from the Kansas City Art Institute, and her M.F.A. from Southern
Illinois University Edwardsville. Following graduate school, she worked as a
resident artist at the Archie Bray Foundation for the Ceramic Arts, in Helena;
MT. Shellenbarger established her studio pottery, Mill Station Pottery, in
rural Michigan in 1997.
She has held
teaching positions at multiple academic institutions, Northern Michigan
University, Kansas City Art Institute, the University of Northern Iowa, and now
joins the faculty in The School for American Crafts at Rochester Institute of
Technology. She has taught at many craft
schools around the country among them, Penland School of Crafts, Arrowmont
School of Crafts, and Haystack Mountain School of Crafts.
 |
| Jane Shellenbarger Hot Air Ballons-Cup stoneware, soda fired, post fired (4.5 x 5.75 inches) CUP 171 $75 SOLD |
Shellenbarger
exhibits her work in several prominent galleries around the country including; Leslie
Ferrin Gallery, Lacoste Gallery, Lill Street, AKAR Gallery, Santa Fe Clay,
Philadelphia Clay Studio, Red Lodge Clay Center and Baltimore Clayworks among
others.
 |
| Jane Shellenbarger How To Make a Paper Airplane-Cup stoneware, soda fired, post fired (3.75 x 5.5 inches) CUP 172 $40 SOLD |
Her work is also in the permanent collections of the Renwick Gallery of the National Museum of American Art, Smithsonian Institution, Washington D.C., San Angelo Museum of Fine Art, University of Arkansas, Fayetteville, AR, The Archie Bray Foundation for the Ceramic Arts, and The University Museum, Southern Illinois University at Edwardsville.
The Cup: Brad Schwieger - Athens, OH
 |
| Brad Schwieger Wood Fired Cup stoneware, 2012 (4.5 x 4 inches) CUP 163 $45 |
Bio:
Brad
Schwieger has been teaching at Ohio University since 1990 and is presently a
Professor of Art and Ceramics - Area Chairman.
Prior to that, he was an Associate Professor at Vincennes University in
Indiana (1985-1990). Brad received his
Master of Fine Arts degree from Utah State University in 1983 and his Bachelor
of Fine Arts degree from the University of Iowa in 1981. Brad has shown his ceramics nationally and
internationally. His work has been
included in exhibitions throughout the U.S.A., Japan, Korea, Taiwan, England,
Germany, Czech Republic, Lithuania and Spain.
 |
| Brad Schwieger Cut Cup soda fired, stoneware, 2011 (4.5 x 4.5 inches) CUP 164 $40 SOLD |
Brad
has been a resident artist at the Red Lodge Clay Center, Red Lodge, Montana,
2009. International Ceramics Symposium, Bechyne, Czech Republic, 2006. Seto Ceramic and Glass Art Center, Seto,
Japan, 2005 and 2001. Watershed Center
for Ceramics in New Castle, Maine, 2003 and 1997. Gallery Estudi, Poble Espanyol, Barcelona,
Spain, 2002. The Archie Bray Foundation
for Ceramic Arts, Helena, Montana, 1998.
Kunstlerhaus 188, Halle, Germany, 1999.
Burg Giebichenstein, School for Art and Design, Halle, Germany, 1996. Jiesia International Porcelain Symposium,
Kaunus, Lithuania, 1994. Romhild
International Ceramics Symposium, Romhild, Germany, 1993.
 |
| Brad Schwieger Tall Cut Cup soda fired, stoneware, 2011 (5.25 x 4.5 inches) CUP 165 $45 SOLD |
His
gallery affiliations include: Society for Contemporary Crafts, Pittsburgh,
Pennsylvania, AKAR Gallery, Iowa City, Iowa, Red Star Studios, Kansas City,
Missouri, The Clay Studio, Philadelphia, Pennsylvania, Signature Shop and
Gallery, Atlanta, Georgia, Red Lodge Clay Center, Red Lodge, Montana,
Washington Street Gallery, Lewisburg, West Virginia. Brad has presented workshops and lectures at
more than 80 Universities, Colleges and Art Centers including the Penland
School for Arts and Crafts, NC, Arrowmont School for Crafts, TN, Anderson Ranch
Art Center, CO, Peters Valley Art Center, NJ, Santa Fe Clay, NM and the
Appalachian School for Crafts, TN. His work is included in numerous collections
including the Renwick Gallery, Washington, DC and the Mint Museum of Craft and
Design, Charlotte, NC. His work has been
published in Ceramics Monthly, American Craft, Clay Times, Ceramics Art and
Perception as well as several textbooks.
 |
| Brad Schwieger Wood Fired Tumbler stoneware, 2012 (5.5 x 3.25 inches) CUP 166 $45 SOLD |
 |
| Brad Schwieger Cup soda fired, stoneware, 2011 (4 x 4.75 inches) CUP 167 $40 |
The Cup: Emily Schroeder Willis - Chicago, IL
 |
| Emily Schroeder Willis Cup oxidized porcelain, 2011 (5.5 x 4 inches) CUP 159 $40 |
 |
| Emily Schroeder Willis Cup oxidized porcelain, 2011 (5 x 3.5 inches) CUP 160 $35 |
Statement:
Elements
of touch, intimacy and mark making are extremely important to the work that I
make. I create subtle forms on which I draw imagery that is sensitive to
how each pot was touched and formed. An aspect unique to my work is that
every movement and gesture is marked and recorded on the surface of my
pots. I have chosen this rather slow and tedious process of pinching
because I believe that pinching pots instead of throwing them on a wheel or
building them with slabs creates a different type of intimacy. I see my
fingerprints as a sort of brush stroke. In the way that a painter paints
a canvas and creates a certain sensibility in the image, I create an intimacy
in my work by the way that my fingers touch the clay. Human presence and
the mark of the hand are important to my work, which steps back to a time where
work isn't about production, but the touch of a fingertip.
 |
| Emily Schroeder Willis Teabowl oxidized porcelain, 2011 (3 x 4.5 x 4.5 inches) CUP 161 $45 |
 |
| Emily Schroeder Willis Teabowl oxidized porcelain, 2011 (4 x 4 x 4 inches) CUP 162 $45 SOLD |
Bio:
Emily Schroeder received her MFA
from the University of Colorado, Boulder in 2006. She is the recipient of
numerous awards and scholarships, including the 2001 Jerome Fellowship from the
Northern Clay Center and the Sage Scholarship from the Archie Bray Foundation.
She has exhibited her work across North America as well as in Europe, Central
America and Australia. She has been an artist-in-residence/visiting
artist at the Archie Bray Foundation in Montana, the Zentrum für Keramik in
Berlin, Germany and at the Alberta College of Art and Design in Canada.
Emily will also be a presenter for
the upcoming 2012 Utilitarian Clay Conference at Arrowmont School for the Arts
and Crafts in Tennessee this September. Currently, she has a studio in
Chicago at Lillstreet Art Center.
Subscribe to:
Posts (Atom)