Michael Hunt and Naomi Dalglish Cup finger wipe stripes through with slip and clear glaze, wood-fired local clay (4 x 3.5 inches) CUP 094 $30 |
Statement:
We make our pots using primarily coarse, impure
local materials. Our pots are thrown on
a slow turning Korean-style kick wheel, and the large jars are made using a
traditional Korean paddle and anvil technique.
We then fire the pots in a large, Thai-shaped wood kiln. Through this collaboration with powerful
materials and processes, we hope to create an environment in which pots can be
born with a beauty beyond what is possible with our own hands. Beginning with the geologic processes that
form the coarse red clay, passing through our hands and kiln, the life of these
pots is continued through years of daily use.
Michael Hunt and Naomi Dalglish Cup brushed slip with clear glaze, iron and green decoration, wood-fired local clay (3.5 x 4 inches) CUP 095 $30 SOLD |
Bio:
Michael
and Naomi live and work in the mountains of western North Carolina. Using many local materials, they collaborate
in making wood fired utilitarian pottery. Although they make and glaze the
pottery together, individually, Naomi makes the figurative sculptures, and Michael
makes the large jars.
Michael Hunt and Naomi Dalglish Cup white slip and clear glaze, wood-fired local clay (3.75 x 4.25 inches) CUP 096 $30 |
Michael
got hooked on clay in high school, and became a student at Penland School of
Craft shortly after graduating. It was
there that he met Will Ruggles and Douglas Rankin who became teachers and
mentors to him. Several years later he
was invited to go to Korea to learn the traditional method of making large
Ongii storage jars with master Ongii potter Oh Hyang Jong. Upon returning from Korea, Michael began
setting up a studio and building a large Thai-shaped wood kiln in the Penland
area.
Naomi began making pottery with her grandmother as a child. She studied clay at Earlham College with Mike Theideman, a former apprentice of Warren MacKenzie. She spent a semester in Mexico, where she studied with Mexican potters and discovered pre-colombian clay figures. In addition to making pottery, she began making sculptures inspired by pre-colombian and Japanese Haniwa figures. After college, Naomi came to Penland to take a kiln building class and met Michael, who was building a kiln at his studio.
Michael Hunt and Naomi Dalglish Cup white slip and clear glaze with iron and green stripes, wood-fired local clay (4 x 3.25 inches) CUP 097 $30 SOLD |
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